Ian Aleksander Adams ([info]iaaphoto) wrote,

Poetically Decayed Interiors

image via google search for “Poetically Decayed Interiors”

“spending several months living among a [ENTER CULTURAL SUBGROUP HERE] people, examining their inner life by photographing a mix of rural social landscape, portraits, and poetically decayed interiors”

- Northern Exposures via Blake Andrews

Could describe an awful lot of projects.

You guys know how I feel about subject matter ruling photography. I just don’t… feel that I’m talented if everyone loves a photo just because I happened to be standing in front of a fresh kill or something. Being in the right place just isn’t enough for me as a photographer. I want to be in the wrong place at the wrong time, the boring time maybe, and still somehow say something. I don’t know.

It’s probably why all I’ve been doing lately is writing. I want to know what it’s like to create something from nothing, or at least as close as possible. I’m tired of feeling like I’m just pointing. I like pointing (it’s what I’m doing every time I click “share” on google reader), but I can’t just point. Or even just point well. You dig?

It’s not like there’s anything without a history and context though. Frustrating. I’m going through a frustrating time with my work – that’s safe to say.

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[info]_kasuri_

March 1 2010, 07:56:38 UTC 2 years ago

You just put into words something I've been feeling for ages and have been entirely unable to express. Thank you.

I have always found it difficult to simply photograph beautiful things. The art is already there, I just happened to capture it for the most part. Sometimes, I can make things beautiful only because I happened to look at it from a particular angle, or because I caught a moment no-one else saw or would have ever seen again without me. But too much of photography (outside of the human subject, which is something really difficult for me too- I could talk more on that but I will be succint) seems to just be capturing things that are already there for people to see anyway. It's difficult to maneuver.

[info]iaaphoto

March 1 2010, 20:42:00 UTC 2 years ago

yeah, very.

Increasingly I've been having issues because it's just not enough for an image to be beautiful, for me.

I've gotten skilled enough technically that it's fairly easy for me to make something that the average person takes an aesthetic interest in - and I've become very aware of how many people have the ability to do that. What seems so much harder is making something that people will be interested in, is beautiful (in some way) and is also somehow philosophically fulfilling to me. It doesn't need to be high concept, but I want to make work with substance.

[info]_kasuri_

March 3 2010, 02:42:45 UTC 2 years ago

I don't pretend to know anything about art and what constitutes substantive art, but I agree. Meaning is really important, and I feel like that meaning has to be what people see out of it, rather than something the photographer knows or assumes the photo is about. For some reason I'm thinking about that one famous photograph in journalism, of the starving child and the vulture close by- maybe the vulture was just hanging around because there was something else dead nearby that it had been eating and the child was in its way, but the way the shot is framed we see this child on the verge of death, the vulture stalking it in wait.

[info]iaaphoto

March 3 2010, 06:31:02 UTC 2 years ago

That photo in particular was actually the center of some significant controversy.

Here's a little backstory:

http://www.flatrock.org.nz/topics/odds_and_oddities/ultimate_in_unfair.htm

[info]_kasuri_

March 3 2010, 06:52:41 UTC 2 years ago

Wow. I had no idea. I just remember seeing it in a photojournalism museum in NYC when I was in 8th grade and never forgetting it ever since.

[info]iaaphoto

March 3 2010, 07:04:03 UTC 2 years ago

it sticks with you.

Context is a strange thing. Knowing what you know now, you'll probably never think of that image in exactly the same way again. In this case, it might be a more powerful thought. But the context could have been something totally different.

It's why images on the internet can have a bhuge force of their own, because they're so often so entirely detached from context that they seem to be extremely disturbing, epic, or hilarious.
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